Features & Interviews Art Basel | Skye Sherwin | September 2024 HORS SUJET | SAMUEL SCHELLENBERG | OCT 2024 NZZ | Susanna Koeberle | June 2023 Prix Meret Oppenheim | Gina Bucher (ed.) | 2023 Mousse Magazine | Lisa Andreani | June 2023 Das Gespenst der künstlerischen Forschung | Leonardo im Labor, Kathrin Busch | 2021 Passe-Avant | Catharina Szonn | January 2020 The Botanical City | Matthew Candy and Sandra Jasper | 2020 Domus | Simona Bordone | July 2018 Brand New Life | Philipp Spillmann | June 2018 Astrid Schmetterling | Unmade Film thisistomorrow | Ruth Hogan | December 2016 Art in America | Gabriel Coxhead | December 2016 Sønke Gau | Unmade Film The Presence of the Incompatible ArtReview | John Quin | May 2015 Erik Bullot on Unmade Film Hanan Toukan | Continuity from Rupture | 2013 Flash Art | Virginie Bobin | July 2013 Frieze | On Rupture | April 2013 This Is Tomorrow | Matteo Lucchetti | March 2013 Frieze | Unseen Blows | November – December 2012 Artforum | Hans Rudolf Reust | November 2011 Kunstbulletin | Sønke Gau | September 2011 Marina Vishmidt | The External Cause of the Image | 2011 Passages | Lilo Weber | 2011 Sally O’Reilly | The Short and the Long of it | 2010 Art Monthly | Richard Thomas | March 2010 Art in America | Colin Perry | January 2010 Tom Trevatt | Neither Fish Nor Fowl | 2009 Frieze | Felicity Lunn | January 2009 Mike Sperlinger | In These Great Times | 2008 Gilane Tawadros | The Benin Project | 2007 Cherry Smyth | Gaps in Narrative | 2007 Michael Newman | Archive, Testimony, and Trace | 2006 Ian Hunt | In Concert | 2006 Alexander Garcia Düttmann | From memory | 2005 Monographs Forest Times Conversing with Leaves Soil Affinities Theatrum Botanicum Communal Herbal Knowledge Unmade Film Time is a Place Terrain vague – Persistent Images – حركات غير مكتملة The Short and the Long of It Sounds from Beneath Formuler en Parlant Oddly One Day Gazette The Benin Project Deposits Re: the archive, the image, and the very dead sheep What the billboard saw / La ville mode d’emploi Time+Again: Critical Contradictions in Chris Marker’s La Jetée The History of Marseille Writings & Contributions UMBIGO #95 | March 2026 The Taste of Future Landscapes | Ed. Lisa Mazza and Simone Mair, BAU | Dent-de-Leone | 2025 MONOPOL | February 2025 Eco-Operations | ED. Liliana Gómez, Fabienne Liptay | 2024 Knowledge Is a Garden An Exchange | Nikita Dhawan | August 2024 Uriel Orlow — Unsere Zukunft von Pflanzen lernen | J. Emil Sennewald |Nov. 2024 Film Undone | Ed. Philip Widmann | October 2024 Memories Archived | Ed. Dale Luis Menezes, Leandré D’Souza, Susana Bastos Mateus| 2024 CONTEMPORANEA: A glossary for the 21st Century | ED. Michael Marder and Giovanbattista Tusa | 2024 Esse 110- Agriculture | 2024 Vegetal Entwinements in Philosophy and Art | ED. Giovanni Aloi & Michael Marder | 2023 Balance 1970-1990. Kunst, Gesellschaft, Umwelt | Marianne Burki, Katrin Steffen | Kunstmuseum Solothurn | 2022 MILLE COSMOS #1 | 2022 Mobile Soils | Anne-Laure Franchette, Jose Cáceres Mardones, Gabriel N. Gee (eds.) Pflanzen und Gespenster | Sabine Rohlf Performing Human Rights | Liliana Gómez (ed.) Botanischer Nationalismus und Pflanzen-Diplomatie Journal des Laboratoires A Prisoner in the Garden Du film performatif Art & Protest Was wir durch die Blume sagen Memory Montage | An interview with Omar Kholeif A Conversation about Unmade Film Recherchieren Radikal Ambivalent Rituals of Filming and the Dialogic Camera Artists and Archives: A Correspondence The Galápagos Principle In Praise of Ghosts An Exchange on Notions of Haunting Chewing The Scenery Flicker, Blink and Time: Towards the Zero Degree of Movement Internal Necessity The Transgenerational Memory of Monkeys Supermoment How To Do Things with Words and a Camera Life is More Important Than Art The Dialectical Image: La Jetée and Photography-as-Cinema Latent Archives, Roving Lens A Conversation on Deposits Talk is Cheap The Archival Power of the Image Selected Reviews Art monthly Nº485 | Maja and Reuben Fowkes | APRIL 2025 Camera Austria | MARIE-LAURE ALLAIN BONILLA | ISSUE 169, 2025 Umbigo | Laurinda Branquinho | March 2025 Art Forum | Ayushma Regmi | May 2023 LE TEMPS |Elisabeth Chardon| June 2023 Umbigo | Carla Carbone | February 2023 Kunst Bulletin | March 2022 Art Monthly | Alex Fletcher | November 2018 Art Monthly | Tom Emery | October 2018 Frieze | Jennifer Higgie | September 2018 ArtReview | Ben Eastham | September 2018 Kunst Bulletin | Patricia Grzonka | September 2018 Frieze | Jennifer Higgie | November 2017 ArtHop | Christine Hahn | November 2017 The Art Newspaper | Anna Somers Cocks | March 2017 Art Agenda | Melissa Gronlund | March 2017 Artforum | Christine Tohme | December 2016 ArtReview | Oliver Basciano | Summer 2016 Hyperallergic | Mebrak Tareke | July 2016 Frieze | Max Andrews | April 2015 Mai Elwakil | Mada Masr | December 2013 Jennifer Higgie | Frieze | November 2012 Selected Catalogues Sea Art Festival | Undercurrents: Waves Walking on the Water | 2025 Utopia | Ed. Andreas Beitin, Sebastian Mühl and Dino Steinhof | Kunstmuseum Wolfsburg | 2025 Problemas do Primitivismo – a partir de Portugal | Ed. A Oficina, CIAJG, DOCUMENTA | 2024 Gineceu & Estigma | Ed. Matilde Seabra | Galeria Municipal do Porto | 2024 stadtprojektionen | ed. Nina Keel and Anna Vetsch | 2024 Une Clameur | ed. bermuda | 2024 Stranger in the Village | ed. Céline Eidenbenz and Sarah Mühlebach | 2024 Apropos Hodler | Ed. Zürcher Kunstgesellschaft / Kunsthaus Zürich | 2024 Parliament of Plants II | ed. Christiane Meyer-Stoll | 2023 Chaleur Humaine | (ed.) Silvana Editoriale | 2023 Art and Climate Change | Maja Fowkes, Reuben Fowkes | 2022 Devenir fleur / Becoming flower | MAMAC, Nice | 2022 12th Berlin Biennale for Contemporary Art | Still Present! | June 2022 Taipei Biennial 2020 | You and I Don’t Live on the Same Planet | Bruno Latour and Martin Guinard Icone Vegetali. Arte e botanica nel secolo XXI | March 2022 Take Care: Kunst & Medizin | 2022 Earth Beats | ed. Kunsthaus Zurich | 2024 British Art Show 9 | 2021 slightly slipping on a banana skin The London Open 2018 Manifesta 12 Palermo If Not for That Wall Propositions for a Stage: 24 Frames of a Beautiful Heaven Summer of Love Document Bilingue Still (the) Barbarians FMAC Collection 2004 – 2016 Manifesta 9 | The Deep of the Modern
