Projects Forest Times brings together 4 projects by artist Uriel Orlow- Dedication, 2021, Forest Essentials Takes Two, 2022, Reading Wood (Backwards), 2022, and Forest Futurism, 2024, in which plants are simultaneously political actors, witnesses to […] Forest Times Artemisia afra, an indigenous medicinal plant, effectively treats and prevents malaria and can simply be taken as an infusion. Despite studies that show its effectiveness and the simplicity of its […] Learning from Artemisia Soil Affinities takes its starting point in Aubervilliers’ 19th century market gardening past which ended when factories started to take over, around the same time as European countries, including France, […] Soil Affinities Wishing Trees was commissioned and premiered by Manifesta 12 in Palermo. The multi-part work brings together three Sicilian trees that hold memories of significant events and people, connecting human histories and […] Wishing Trees Theatrum Botanicum is a major new body of work and ongoing research, which looks to the botanical world as a stage for politics at large through film, photography, installation and […] Theatrum Botanicum Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one. […] Unmade Film In 1956, when President Nasser announced the nationalisation of the Suez Canal from the balcony of the Cotton Exchange in Alexandria, the people immediately toppled the statue of Ferdinand de […] fig. The starting point of The Short and the Long of It is an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international […] The Short and the Long of It Remnants of the Future takes as its starting point a ghost city in Northern Armenia near the Georgian and Turkish borders, a factory that once produced over 50% of the […] Remnants of the Future “Taking as his starting point the British Punitive Expedition of 1897 (a military excursion by British forces in which the British invaded, burned and ransacked the ancient West African Kingdom […] Benin Project In These Great Times takes as its starting point the famous art-nouveau café Odeon in Zurich. The café can be understood as a historical ‘Nebenschauplatz’, a minor site whose history […] In These Great Times Deposits explores different facets of a singular approach to the problematic of making art as a means to produce remembrance of the Holocaust. It develops a notion of history in […] Deposits Works Painted azulejo tiles and embroidered textile, 90 x 90 cm each The Lamb, the Elephant, and the Clove (An Allegory) 2025 Wooden instruments, stone and acoustic elements, created in collaboration with Tobias Koch, Variable dimensions, 2024 Voicing the Forest 2024 Volcanic stone, produced in collaboration with Athena Marmi, Vicenza , Variable dimensions, 2024 Stone Forest (An Epilogue) 1 à 11 Video, colour, with 5.1 sound, 24 min. produced in collaboration with BAU and ateliers bermuda, 2024 We Have Already Lived Through Our Future – We Just Don’t Remember It 2024 Print on paper, Variable dimensions, 2024 Forest Manifesto 2024 I already walked in the forest with my grandfather and father, and now I’m going alone , 2025; 4K video, colour, sound, 77’27” I already walked in the forest with my grandfather and father, and now I’m going alone 2025 Timber Testimonies (São Tomé), 2025 Acrylic with UV print (10.5×14.85 cm), roots, bark and other plant materials from São Tomé, dimensions variable Timber Testemonies (São Tomé) 2025 Echoes of Green, 2025; 30 pencil drawings on paper, 21×29,7 cm Echoes of Green 2025 Welcome Weeds, 2024-ongoing, Custom planters, local edible/medicinal weeds including nettles, red clover, plantain, sorrel, lemon balm, nepeta, sow thistle, Canada thistle Welcome Weeds 2024 21 prints on Hahnemühle paper, 2024 Flora Peruana Uriel Orlow: The Garden, The River (A Conversation), two-channel video, 2024 The Garden, The River (A Conversation) 2024 Uriel Orlow: Mangoes of Goan Origin (An Archive), 20 prints, 4 colour lithograph with serigraphy, 28cm x 28cm, framed, 2024 Mangoes of Goan Origin (An Archive) 2024 Film, prints and sculptures, 2024 Forest Futurism 2024 Reveries of Collective Walkers (Oxford) Reveries of Collective Walkers (Geneva) 2023 Proposal for a garden (Geneva), 2023, Wood, earth, plants, Variable dimensions Proposal for a Garden (Geneva) 2023 Juchart 2049, 2023, reinforced iron, forest marking paper Juchart 2049 2023 diptych, wood cut on Japanese paper and silkscreen print on wood, 46 x 62cm, 2022 Forest Essentials Take Two 2022 installation, 2022 Reading Wood (Backwards) 2022 three-channel video, objects, garden, wall painting, 2020-2022 Botany of Death, Botany of Life 2022 three printed maps distributed for free, 2022 Botanical Becontree 2022 Tori Bari (After Yellow), 2022 Tori Bari (After Yellow) 2022 Up, Up, Up 2021 5-screen HD video installation, 3'21'', 2021 Dedication 2021 HD video and installation Learning from Artemisia 2019 / 2020 Soil Affinities, installation views Kunsthalle Mainz Soil Affinities 2017 / 2018 8-channel video installation with sound, durations variable photograph mounted on aluminium 150 x 105 cm, two framed photographs, 40 x 26 cm, documents and artefacts in vitrine, 2018 Wishing Trees 2018 Two-channel HD video with sound, 13'30", 2017 Veilleurs d’Images 2017 Imbizo Ka Mafavuke, 2017 , HD video with sound, 28' Imbizo Ka Mafavuke (Mafavuke’s Tribunal) 2017 Single-channel HD video with sound, 17’, 2017 Muthi 2017 Chromogenic photograph on Diasec, 90cm x 60cm, 2015 Bounds 2016 Single-channel HD video with sound, 18’, 2016 The Crown Against Mafavuke 2016 Single-channel video, 5’22”, 2016 The Fairest Heritage 2016 Black and white photographs, 120cm x 150cm, 2016 The Memory of Trees 2016 Wallpaper, vintage postcards, rack, 2016 Geraniums Are Never Red 2016 Work in progress, Book covers and posters, 2016- Beautiful But Dangerous 2016 Works on paper, 2016 Blacklisted (Was Wir Durch Die Blume Sagen) 2016 Surround Sound Audio, 22'40”, 2015 What Plants Were Called Before They Had A Name 2016 Concrete plinth with loupe and seed, slide projection with 81 slides, photograph mounted on aluminium/wallpaper image, framed photograph, 2015-2017 Grey, Green, Gold 2015 Hand-tinted black and white photographs, 24cm x 29cm, 2013 Double Vision (Native Plants) 2014 Performance and intervention, 2014 Unmade Film: The Proposal 2014 16mm Film, transparency, 6’58” loop, 2014 Unmade Film: The Closing Credits 2014 Unmade Film: The Production Photographs 2014 Series of 14 prints, pigment ink on Baryta paper, framed, 36cm x 36cm Unmade Film: The Stills 2014 Drawings, booklet 28cm x 22cm, 16 pages, 2013 Unmade Film: The Storyboard 2014 Handwritten facsimile on paper, 60 drawings, 21cm x 29.7cm, 2013 Unmade Film: The Script 2014 Audio in 5 movements, 45’, 2013 Unmade Film: The Score 2014 HD Video, Silent, 9'30", 2012 Unmade Film: The Staging 2012 Audio, 30', 2012 Unmade Film: The Voiceover 2012 Audio, 7’30”, slide projection, chromogenic photographs mounted on Aluminium, 85cm x 100cm, 2012-13 Unmade Film: The Reconnaissance 2012 Black and white photographs, dimensions variable, 2012 États des Lieux 2012 Photogravure print, 35.7cm x 48cm, 2012 Dream of the Future (Mayakovsky) 2012 HD video with sound, 18'15", 2012 Plans for the Past 2012 Photographic prints, 87cm x 125cm, 2012 Fig. (The Statue) 2012 Hand-painted banner, 91.5cm x 251.7cm, 2011-12 Fig. (The Toppling) 2012 Single-channel video, pigment print (26.5cm x 35.7 cm), 2012 Fig. (Nationalisation) 2012 Two-channel HD video with sound, 6'22", 2012 Fig. (After de Lesseps) 2012 Neon, Dimensions variable, 2012 The Future is History / History is the Future 2012 Fiber based Silver Gelatine Prints, C-type Prints and Slide Projection, 2011 Still Aftershock 2011 HD video with stereo sound, 14' 13", 2011 Holy Precursor 2011 HD video with stereo sound, 14', 2011 Yellow Limbo 2011 Series of two prints, pigment ink on Baryta paper, 73cm x 90cm, 2010 Untitled 2010 Series of 23 drawings, pigment ink and watercolour on handmade paper, 21cm x 29.7cm each, pastel on wall, 2010 Lessepsian Migrants 2010 Table, 21 pigment prints on Hahnemühle paper, 1 painting, dimensions variable, 2010 The Bitterlake Chronicles 2010 4 pigment photographic prints on Hahnemühle Baryta paper, framed 14cm x 70cm, 2010 Waterlocked 2010 Single-channel video on monitor, silent, 6'30" (looped), 2010 Water and Smoke 2010 Slide projection, 81 slides, 2010 Anatopism 2010 Single-channel HD video with sound, 6'41", 2010-11 Sounds from Beneath 2010 5 Chromogenic photographs, 2010 Deep Opacity 2010 Lecture performance, duration and setting variable Aide-Mémoire 2010 Cinemascope video with stereo sound, 17'18", 2010-12 Remnants of the Future 2010 25 pencil drawings on archival tracing paper, 21cm x 29.7cm, 2010 Soviet Sleep 2010 Diptych, pigment pen on paper, 63.5cm x 45cm, 2010 Top Lines 2010 Cover of Francis Fukuyama's 1991 book 'The End of History and the Last Man', 2010 After the End of History 2010 Series of images, 2004-9 What Cannot Be Seen 2009 Series of photographs, dimensions variable, 2009 Not For Sale 2009 Installation with photographs on tables, 3 videos, wall text, 2009 Neither Fish Nor Fowl 2009 Single-channel HD video with sound, 14'42", 2009 Old Haunt 2009 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009 Oddly, one lived the war in one’s mind more intensively than at home in a country at war 2009 Single-channel HD video, 4'' looped, 2008 The Noise is Too Loud 2008 Single-channel HD video, 10' looped, 2008 Ornament And Crime 2008 Single-channel HD video with soundscape by Mikhail Karikis, 5'00", looped, 2008 Three Hours and Twenty-Five Minutes 2008 Single-channel HD video, 10' looped, 2008 Entre Chien Et Loup 2008 Two colour photographs mounted on MDF at 150 degree angle, 106.6cm x 33.6cm, 2008 Ruins 2008 Silkscreen print with gold ink, 89.5cm x 128 cm, 2008 Silent 2008 Single channel video with sound, 11', 2007 The Transgenerational Memory of Monkeys 2007 Single-channel video with sound, 10', 2007-8 The Naked Palace 2007 Series of 5 pigment prints on Hahnemühle paper, 292.5cm x 337.5cm, 2007 Elements 2007 Single-channel video with sound, 15' 58", 2007 The Visitor 2007 7-channel video installation with sound, duration variable, 2007 Lost Wax 2007 28 line-block engravings on Somerset textured paper, 2007 A Very Fine Cast (110 years) 2007 Vinyl wall piece and single-channel video, 2007 Worldwide Benin 2007 HD video with sound, 5'05", 2006 1942 (Poznan) 2006 HD video with sound, 8'53", 2000-05 Housed Memory 2006 145 images as video slide show or photographic installation, 2000-06 Inside The Archive 2006 HD video with sound, 90' looped, 2000-02 The Wiener Library (London) 2006 Single- / two-channel video, 1' looped, 2005 Midday/Midnight (66° 33′) 2005 Two-channel video with sound, 60', 2005 Satellite Contact 2005 Four Silkscreen print billboard posters, 90.5cm x 128cm, 2005 Urban Inventory 2005 Double/single-channel video with sound, 7'59", 2005 In Concert 2005 Series of 3 drawings, 2005 Pentagraphs 2005 Chromogenic print on Dibond, 40cm x 29cm, 2005-8 Allegory of Memory 2005
